The work of Bristol sound co-founder the musician-producer, this scabrous if slight debut feature turns a sceptical eye on the ecstasy-fueled club scene. Venal drug user David (the actor) first robs an passed-out supplier, then in another flashback tries to burgle his own parents. Before you can say, he's overturned in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
Game gets off to a shaky start, spending too long on pedantically chronicling David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the ecstasy generation were primarily out for number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a darkly funny duel unfolds – David desperate to escape; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one key story turn, but it results in a hilariously staged rampage on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
Game is in British and Irish theaters from November 17.